Mural in Clifton Hill

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Find a series of paste-up posters on the streets of Fitzroy and Collingwood by artist Daen Sansbury-Smith.

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The City of Yarra has received a $40,000 Creative Victoria grant towards public artworks to celebrate Australian music, including a special tribute to Richmond music legend Ian ‘Molly’ Meldrum AM.

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A larger-than-life statue of Aussie entertainment icon Ian `Molly’ Meldrum has been unveiled at Richmond’s Wangaratta Street Park. It stands alongside a new Wall of Music mural by artist 23rd Key as part of Yarra Council’s revamp of the park.

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View Steven Rhall's artwork Tanderrum (inverted plinth) in Edinburgh Gardens.

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Statues of Archie Roach and Ruby Hunter, to be installed in Fitzroy, have been announced by the Victorian Government.

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Yarra City Council received a grant through the Department of Justice and Regulation’s Graffiti Prevention Grants program to commission a Victorian Aboriginal or Torres Strait Islander artist to create a meaningful and inspiring artwork across the entire eastern wall of the Charcoal Lane building at 136 Gertrude Street, to focus on Aboriginal identity and culture in Fitzroy and highlight the history and significance of Gertrude Street, the building and the area for the Aboriginal community.

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The Stolen Generations Marker, Remember Me, reflects the community’s wish to create a permanent tribute to the Stolen Generations and their families; a place of reflection and respectful commemoration. Integral to this is the surrounding garden with plants local to the area that have been re-introduced into the setting.

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Interior Spaces by Jesse Boyd-Reid

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Each image in this series portrays an assemblage of windblown artificial flowers encountered and collected by artist Irene Finkelde on her frequent walks around the old iron walls of the Melbourne General Cemetery.

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This large format photographic series by artist David Ashley Kerr began with the use of a visual device called the Rückenfigur, or ‘Back Figure,’ allowing the viewer an unhindered outlook toward a landscape, free from the gaze of the lone human subject placed within it.

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E_SCAPE / REAL_TY / PERFEC_ / HOL_DAY is a four-part visual poem consisting of words that are composed of letter tiles from the popular board game Scrabble.

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Four Gestures of a Grassland by Jessye Wdowin-McGregor

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This series by Rozalind Drummond has been continually mediated by the pandemic and significant environmental and social changes

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In ‘Screen / Time’, plexiglass acts as a deteriorating membrane, a clouded lens. Hopkins’ photographs capture the interiors of cemetery votive boxes taken through their scratched plexiglass screens.

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Inspired by the touching pool often found at aquariums and the sensorial connections with nature they elicit, this series speaks to the interconnectedness of bodies and environments as well as the conflicted and estranged relationship we have with the more-than-human world.

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Oddkin is a creative reimagining of our relationship with the world around us, enlarging ideas of kinship and connection with other-than-human beings in ways that are positive, generative, and ongoing.

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Scar Marks highlights the artist Genevieve Elliott’s interest in boundaries and places through serviceable objects or ‘survey marks’ to create a cartographical reading of the Carlton area.

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Rebecca Rouging is a short film made during a residency based on the lands of the Wotjobaluk, Wergaia, Jupagulk, Jaadwa and Jadawadjali people based at the Australian Grains Genebank in Horsham, Victoria (supported by Horsham Regional Gallery, Centre of Contemporary Photography and La Trobe University's Centre for AgriBioscience). The concerns of my practice lead to exploring the idea of the ‘residency’ model itself in comparison to more common conceptions of the residency – usually as a response to site and place.

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Centre for Projection Art is proud to partner with Peel Street Park Projection Program to present Tahlia Palmer’s work 'Murnong' as part of Confluence - GSPF 2023. 'Murnong' is the premier projection artwork from First Nations Artist and Musician Tahlia Palmer (aka amby downs) and is the result of their six-month residency with the Centre for Projection Art.

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